You can see all the captures by clicking on the thumbnails below…

Marley looked really great at this event and I have added 3 photos of her from the event!

You can view all the images by clicking on the thumbnail image to the left of this post.

You can see all the photos by clicking on the thumbnails below…

That said, on hand at the launch party for Stella McCartney for GapKids, Marley wasn’t concentrating on her own fashion sense — she was all about stocking up for baby girl! “I have a two-month-old so I bought her one of the blazers,” she says.

“She has to wait until she’s one, but I’m so excited for her to rock her first Stella McCartney blazer.”

Marley will soon be celebrating a milestone of her own — getting back to her pre-baby weight.

In addition to spending her time hiking in the Hollywood Hills, Marley reveals that, for her, the key lies in nursing.

“Breastfeeding is my magic bullet. It burns a ton of calories so that’s kind of what I’ve been doing.”

Despite the upcoming holidays, there will be no topping the greatest gift of all for Marley: motherhood. “Being a brand new mom, I’d have to say my daughter is the best gift I’ve ever been given,” she raves.

West is the first child for Marley and her husband, producer Beau Flynn.

– Anya with reporting by Tiffany Matloob [SOURCE]

So go on over to the WB Shop and participate by purchasing the DVD set and then leaving your review!

A vacation goes horribly wrong in David Twohy’s thriller coming to Blu-ray in late December.

Universal says ‘A Perfect Getaway’ starring Timothy Olyphant, Marley Shelton, Milla Jovovich, and Steve Zahn will make its high-definition debut as an unrated director’s cut on December 29.

The Blu-ray will feature 1080p/VC-1 video, a DTS-HD Master Audio 5.1 soundtrack, and the only supplements appear to be the original scripted ending and BD-Live.

You can view captures from both the film and the special features by clicking on the thumbnails below…

I will be adding more photos of Marley at the premiere soon, but for now you can see the ones that were added by clicking on the thumbnails below!

Marley Shelton’s Madeleine, the young gallerist in “(Untitled)” who comes between two brothers in the contemporary arts and music scene of New York, is full of surprises.

Madeleine appears a tightly wrapped package: She’s a sexy femme fatale with reined-back hair (“Hitchcock blond,” Shelton says) and black vinyl, a shark swimming through artist-infested waters. She’s obsessed with appearances, with her bizarre haute couture and fashion-only glasses, but sees deeply into the work. She champions way-out-there paintings, sculptures and music but sells schlock on the side. Is she good, bad or a mixed palette?

“There’s a purity to her. As driven as she is to find the ‘get,’ the next hot commodity, she also has a pure passion for art,” says Shelton, taking a moment to chat at Lamill, an appropriately upscale “coffee boutique” in Silver Lake. “There really is not one character in the film who’s a villain. Each one is totally justified in their plight.”

Adrian (Adam Goldberg) is an unpopular avant-garde composer, as uncompromising as he is unpleasant, who says, “Harmony is a capitalist plot to sell pianos.” His brother Josh (Eion Bailey) is a commercially successful hack whose paintings are akin to visual Muzak. But Madeleine may be the smartest person in a very smart satire, the only one who understands and accepts the balance between art and commerce.

“I think the quintessential moment for her, when she’s completely revealed, is when she’s alone in her studio” after she has had to hang art she doesn’t believe in, says Shelton, “and she breaks down in genuine tears. It’s her most authentic moment on screen, I think, and, of course, she has to cover it up immediately because her buyer’s there.”

Adrian’s dour performances of his atonal opuses are a comedic highlight. Without spoiling anything, let’s just say there are buckets of leitmotifs in his work.

“The music was a riot. Adam had a huge hand in creating that. It was nonstop, the amusement factor. And these guys were really flying by the seat of their pants. . . . We did ruin many takes, laughing,” she confesses.

“Adam has this ability to make me laugh at any time. I was like, ‘I wish I had a Pocket Adam that I could bring out at will and talk to, and say, “Make me laugh,” and put him away when goes on too long on a tirade.’ So I nicknamed him ‘Pocket Adam.’ But he’s so brilliant and so funny.”

“(Untitled),” directed and co-written by Jonathan Parker, appeals on many levels, but those in the know may enjoy in-jokes as broad as ludicrous Damien Hirst-inspired art and as specific as red Christian Louboutin heels on a gallerist. Other subtle touches include a secret-identity moment with a Sarah Lawrence sweat shirt and Madeleine’s wardrobe being both seen and heard, occasionally adding an absurd soundtrack to heated moments.

“I got into a friendly tiff with our director and sound designer over the final cut because usually you work so hard so you can’t hear shoes over dialogue. You’re putting foam on your heels. I couldn’t believe they actually laid in sound. ‘You guys are unbelievable! It’s so distracting!’ ‘No, it’s funny!’ But it does go with the whole theme of the movie, from Adrian’s point of view, what he’s hearing. His POV of me is just this crazy cacophony of noise. She oozes sound, for the better and worse. But I was afraid she’d become grating, that the sound would annoy people.”

And then there’s the challenge of parodying the art world. “How do you parody something that is changing every second?” Shelton says.

Perhaps she needn’t worry about a satire of perception-chasers being dated; as in Hollywood, to which she acknowledges clear parallels in the film, the emperor will always be looking for new clothes at the next hot runway show. Still, the “Angeleno to the core” (born and raised in Eagle Rock, which she calls “a balanced picture of Los Angeles”) had to go to a kind of East Coast art school to prepare for the part. Through friends in the New York art scene, she was able to interview gallerists.

“At first they were really forthcoming, and halfway through they would realize, ‘Hey, wait a second . . . this is a comedy!’ And all of a sudden they’d clam up. So it was a little dicey,” says the actress, wincing a little. She also shadowed a relative in the fashion business and watched films with similarly ambitious characters.

“Tim Robbins in ‘The Player,’ I don’t think he had a conscience, and I don’t think Madeleine has a conscience about what she’s doing because she thinks she’s right.”

From the LA Times